You tell yourself: "This was the last time, I swear". All of us have at one point in our lives done something forbidden or something frowned upon. One can easily imagine continuing doing something wrong, even though you know it cannot turn out well, and yet you cannot help it. Brief Encounter (1945) is a... Continue Reading →
It’s a Wonderful Life (1946)
You know the story: James Stewart is George Bailey, a man who has given up everything in his life to help others, while Henry Travers is Clarence Odbody, his guardian angel, here to intervene and show him how different and sorrowful would everybody's life be if he had not been born. It became an instant... Continue Reading →
Here’s looking at you, kid. Casablanca (1942)
There isn't a movie that so much quoted and misquoted at the same time as this one. Being neglected during its initial run, Casablanca (1942) exceeded all expectations, won the Academy Award for Best Picture, Best Adapted Screenplay and Best Director, and became one of the most memorable films of all time. Directed by Michael... Continue Reading →
“You live and you suffer.” Bicycle Thieves (1948)
One of the best-known Italian neorealism films depicts utter impoverishment and despair that leads people into committing crime. Vittorio De Sica, also born into poverty in Sora (Lazio), wanted to illustrate the poverty of post-war Italy using a new degree of realism. He used only real locations for shooting, not sets, and decided to cast... Continue Reading →
2020 Social documentary from 1940: Ford’s The Grapes of Wrath
Given an amateur student project, John Ford would have made it into an Academy-award winning feature. I was familiar with Ford's work, but to me he was always the western guy. When I first watched The Grapes of Wrath (1940), I realized what an incredible director he was. Anyone can realize they're watching a Ford... Continue Reading →
Take Hitler and stick him on the funny page! His Girl Friday (1940)
When I started watching His Girl Friday (1940), I didn't know what to expect, and I was just there because Howard Hawks directed it. I mean, THE Howard Hawks, the magician director of the western movies, what is he doing in a screwball comedy? Well, here it goes. Until I watched Some Like It Hot,... Continue Reading →
I hated black and white movies: the case of Citizen Kane
Having the urge to find out what the big fuss was about, I was merely 20 years old when I first watched Orson Welles’s Citizen Kane (1941). I was bored as hell and considered myself so clever and educated for figuring out there was nobody in the room when Kane uttered his famous last word. As education... Continue Reading →